Why the postponement? According to the release:

“Due to a visa administration error, Morrissey’s lead guitarist is unable to perform in the US this week. Thursday’s sold out concert at the Congress Theatre in Chicago has been rescheduled for Saturday December 17, 2011. The issue is out of Morrissey’s hands but it will not affect Monday’s concert at the Majestic Theatre in San Antonio, nor will it affect the rest of the tour.”

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It’s funny to think that guitar heroes have their own guitar heroes. But for Jeff Beck, this was a throwback show; homage to some of his old favorites. For the days leading up to this concert, I really had no idea what to expect. All I knew was that he’s a legend and I needed to be there to witness it for myself.

Beck’s resume is arguably one of the most impressive in the business. Throughout his illustrious career, he seems to have glided effortlessly from genre to genre — Rock, Jazz, Pop, Virtuoso and many in between. This show was a tribute, of sorts, to Les Paul — one of every guitar hero’s heroes — and consisted mainly of songs from the Rockabilly era of the 40’s and 50’s. It’s not my favorite genre in the world but the band was absolutely great. And Beck got his; including some classic Chuck Berry-esque guitar solos, while he mainly stayed true to the three-to-four minute formats of the originals. Train Kept a Rollin’ was a definite highlight early on. Then, about three-quarters of the way in, Beck came out with his signature white Strat and dazzled the crowd with some virtuoso themed compositions. To this day, no one does the whammy bar quite like Jeff Beck.

I’m sure you can find critics out there who did not approve of the tribute format of the show. What we need to remember, though, is that all great musicians were influenced by those who came before them. This is what has always perpetuated music and kept things fresh. Overall, Beck put together a solid show that offered nostalgia and some incredible guitar licks worthy of inspiring the next guitar hero.

All I want to know is, When’s he coming back?

Tony Stec is a life-long music addict who takes in dozens of shows every year. He also wants to know when Willie Nelson is coming back.

Set List:

1.  Baby Let’s Play House
2.  Double Talking Baby
3.  Cruising
4.  Train Kept a Rollin’
5.  Poor Boy Blues
6.  Cry Me a River
7.  My Baby Left Me/That’s Alright
8.  How High the Moon
9.  Sitting on Top of the World
10.  Bye Bye Blues
11.  The World is Waiting for the Sunrise
12.  Vaya con Dios
13.  Mockin’ Bird Hill
14.  Tiger Rag
15.  Peter Gunn
16.  Rocking is Our Business
17.  Apache
18.  Sleep Walk
19.  Please Mr. Jailer
20.  Castin’ My Spell (On You)
21.  The Girl Can’t Help It
22.  Rock Around the Clock

Encore:
23.  Remember (Walking in the Sand)
24.  Hound Dog
25.  Up Above My Head
26.  Danny Boy

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Willie can bring it. I was pleasantly surprised that Willie still has chops on the guitar. I’m no Willie Nelson expert but I had no idea he could play like that. We’re not talking strumming along to easy tunes but picking, sliding … the whole nine yards. Sometimes he was bordering being a blues man. Really nice.

Willie spans all ages. There were true hippies, neo-hippies, hipsters, young, old … even a Cosby sweater sighting. Good to see that someone like Willie Nelson still gets all kinds of people excited.

At the end of the show, Willie walked the entire length of the stage, signing autographs on his trademark headbands, album covers, even a couple of cowboy boots. The fact that he still has that energy — at 77 years-old — amazes me.

Enjoy the photographs, courtesy of Sound Citizen Tony Stec. See more of his concert photos.

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It’s going to be a great show, and you can go — for free. To enter to win, simply “Like” Sound Citizen’s Facebook page or subscribe to Sound Citizen updates via email, on the right side of this page. Current Sound Citizen fans and email subscribers are already eligible to win, but leave a comment if you want to be in the mix.

Good luck!

Click here to view the embedded video.

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(Set list and video below.)

It took a long time for me to see a Pogues concert. Thirty-some-odd years, actually. But it was an experience that was well worth the wait. And I use the word “experience” because, frankly, I have no more appropriate way to describe this show.

A forever-feeling 60 minutes after opening band Titus Androgynous completed their set, the crowd of mostly 20- to 30-something beer swilling fans was primed to party with the legendary Irish folk/punk Pogues and frontman Shane MacGowan.

After apologies for being late and a few slurred words from the always-interesting (and always intoxicated) Shane MacGowan, the group gently began the set-opener with “Streams of Whiskey;” proving that, while warranted, concerns over MacGowen’s ability to perform could be put aside. His his booze-laced, groggy, smoke-aged voice was surprisingly up to task, in spite of his hard-earned, hard drinking reputation (and toothless grill). The Pogues’ original eight — MacGowan (lead singer and songwriter), Spider Stacy (tin whistle, vocals), Jem Finer (banjo), James Fearnley (accordion), Darryl Hunt (bass), Andrew Ranken (drums), Phillip Chevron (guitar) and Terry Woods (mandolin) — then rolled into the classic “If I Should Fall From Grace With God” and the brash rockers were on their way to playing all the high notes of their catalog; including “A Pair Of Brown Eyes,” the MacGowan-less “Tuesday Morning” (Spider Stacy took the lead vocal duties), “Sunny Side Of The Street” and a perfectly-paced “And The Band Played Waltzing Matilda.” The crowd responded too, as a familiar mosh pit stirred up in the front of the stage from the jump.

(review continues below)

Click here to view the embedded video.

There were a few low points. On “Thousands are Sailing,” Chevron took the vocals and was out of key more than once — possibly because it seemed the band started the song a key too high. There were also sound issues all night,including ear-piercing feedback from the main vocal mic throughout the set. And, unsurprisingly, McGowan forgot some words and his timing was a bit off on “Matilda.” But given his state and his history, it’s surprising that more songs didn’t suffer the same fate.

All that being said, it’s easy to overlook a few shortcomings. Everyone, like me, was there for the experience of The Pogues. That’s the respect and love they have earned as music legends and received on this night. They’ve been driving hard for almost 30 years, almost fully intact. Signs of wear become revered, not reviled. So, the mosh pit churned and the sing-a-longs rollicked while MacGowan puffed on a few cigarettes between songs, as if to give a metaphorical middle-finger to the Chicago indoor smoking ban and purveyors of a healthy lifestyle everywhere. In the end, the band that once opened for The Clash in 1984 effortlessly channeled their true punk roots and did whatever the hell they wanted to. And we drank up all of it.

At various times during the show, the band-mates would give dedications (or as the kids call them today ‘shout-outs’) to loved ones and friends. That might sound a bit out of place for a band with such a long history as The Pogues (haven’t they thanked these people before?) but recent online rumors have suggested that this show would be the last for The Pogues in Chicago — after all, this U.S. tour is titled “A Parting Glass With The Pogues.” Even so, during some of their famous fast-paced songs like “Bottle Of Smoke” and “Sick Bed Of Cuchulainn,” Fearnley pranced and jumped across the stage, lifting and throwing his accordion around and bending on his knees like he was in his 20’s again. The crowd loved it. And it hardly seemed the behavior of someone at the end of the line. Let’s hope not. Because every fan of a rock and roll life should see The Pogues.

Setlist: The Pogues – “A Parting Glass” tour, Congress Theater, Chicago, March 3rd, 2011 (more video below)

Streams Of Whiskey
If I Should Fall From Grace With God
The Broad Majestic Shannon
Boat Train
A Pair Of Brown Eyes
Tuesday Morning (Shane left the stage for this one)
Irish Lullaby
Sunny Side Of The Street
Repeal of the Licensing Laws
And The Band Played Waltzing Matilda
Body Of An American
London Girl
Thousands are Sailing (Phil on lead)
Dirty Old Town
Bottle of Smoke
Sick Bed Of Cuchulainn

-Encore #1-
Sally MacLennane
Rainy Night In Soho
Irish Rover

-Encore #2-
Poor Paddy On The Railway
Fiesta

Click here to view the embedded video.

Click here to view the embedded video.

Sean Sweeney is a life-long Chicagoan, musician and live concert fanatic who has attended more than 300 concerts. You can find him on Twitter @MusicalSean. Sean plays drums in Chicago’s B-Side Social (www.bsidesocial.com)

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Fleet Foxes will breeze into the windy city on the heels of their latest record and will share time with Animal Colective (who couldn’t be more different), TV on the Radio and Cut Copy, also with a new album. Others include the Dismemberment Plan, Deerhunter, Destroyer, Ariel Pink’s Haunted Graffiti, James Blake, OFWGKTA, Das Racist, Kylesa, Curren$y (wonder if they know Ke$ha), Woods, Yuck and Sun Airway.

According to the website, “many more” will be announced soon.

UPDATE: More bands have been announced. Below is the schedule so far…

Friday, July 15

Animal Collective, Neko Case, Guided By Voices, James Blake, Das Racist, Curren$y

Saturday, July 16

Fleet Foxes, The Dismemberment Plan, Ariel Pink’s Haunted Graffiti, No Age, Gang Gang Dance, G-Side, Woods, Sun Airway, Kylesa, Chrissy Murderbot

Sunday, July 17

TV on the Radio, Cut Copy, Deerhunter, Destroyer, OFWGKTA, HEALTH, Kurt Vile, Yuck, The Fresh & Onlys, Radio Dept., Baths, Shabazz Palaces, Twin Sister, How to Dress Well

Tickets go on sale today, March 4, at 12 PM CST.

Want to go to Lincoln Hall … for FREE?

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A pretty good start, so far. Eminem might be 2011′s top entertainer, when all is said and done; Foo Fighters will be playing off a new album and always have energy to spare; and Muse, while I’m frequently underwhelmed by their music, do put on an impressive stage show.

Kot also reports that Best Coast, Girl Talk, Crystal Castles and Lykke Li will perform.

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What a terrible day.

This is posted on their website:

The White Stripes would like to announce that today, February 2nd, 2011,
their band has officially ended and will make no further new recordings or perform live.

The reason is not due to artistic differences or lack of wanting to continue, nor any
health issues as both Meg and Jack are feeling fine and in good health.

It is for a myriad of reasons, but mostly to preserve What is beautiful and special about
the band and have it stay that way.

Meg and Jack want to thank every one of their fans and admirers for the incredible
support they have given throughout the 13 plus years of the White Stripes’ intense and
incredible career.

Third Man Records will continue to put out unreleased live and studio recordings from
The White Stripes in their Vault Subscription record club, as well as through regular
channels.

Both Meg and Jack hope this decision isn’t met with sorrow by their fans but that it is
seen as a positive move done out of respect for the art and music that the band has
created. It is also done with the utmost respect to those fans who’ve shared in those
creations, with their feelings considered greatly.

With that in mind the band have this to say:

“The White Stripes do not belong to Meg and Jack anymore. The White Stripes belong
to you now and you can do with it whatever you want. The beauty of art and music is
that it can last forever if people want it to. Thank you for sharing this experience. Your
involvement will never be lost on us and we are truly grateful.”

Sincerely,
Meg and Jack White
The White Stripes

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You might recognize The Shams Band from their recent breakout performance at the Chicago Bluegrass and Blues Festival, where they took the stage after Grace Potter and The Nocturnals and before Edward Sharpre & The Magnetic Zeroes. But even if you don’t yet know The Shams Band, chances are, soon enough, your friends will.

Have a listen to “Working Man” below, and check them out Thursday at Lincoln Hall.

Working Man

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Please get out and support your Chicago music scene. This week’s lineup:

Dozens, “Lacuna”

Netherfriends, “I’m Gonna Start”

The Lonliest Monk, “The Ghost and the Silhouette”

Wolf in a Spacesuit, “Bark of a Cedar”

If you have suggestions for future episodes of Sound Citizen Radio, please send an email.

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