Category Archives: Music News

The Dead Seeds–Metal Rising in Chicago

You know what Chicago needs more of? Home-grown metal. Enter The Dead Seeds, and you can see them at House of Blues this Sunday, September 4.

Lead singer Daniel Huerta’s high pitch vocals immediately make you think of the golden era of rock/metal. Think Judas Priest. Carter Scofield knows how to rip it up on lead guitar, while Solomon Kimrey on bass and Griffin Shaw on drums round out a tight crew with big-game chops. This is a sound we’re very pleased to hear in town. And it this rate–they are young–they are going to go places far beyond the Windy City.

But if you’re thinking it’s all just noise, you’d be mistaken. There’s some interesting depth to The Dead Seeds that you can hear in their latest EP, Hereafter. In the title track, “Hereafter”, you can almost hear a little Clash with some of those catchy, riffy guitar licks. Then, “Firestorm” heads back into the metal territory we all crave.

Have a listen, below, or on The Dead Seeds bandcamp page. And get to House of Blues on Sunday. It’s a long weekend—you can headbang all night long.

Minor Moon’s debut—welcome to Chicago, new friends

What’s wrong with a little Americana? Some honest folk and roll?
What’s wrong with something relatively simple—strong hooks, great lyrics and heartfelt vocals?
What’s wrong with all of this coming from Boston and landing in Chicago?

Absolutely nothing—that’s what’s wrong with all of that.

A Whisper, A Shout is the debut album from Minor Moon, a project led by Samuel Cantor.
(Hear a song below.)

Cantor clearly understands his craft. He’s writing with earned wisdom. Singing with a voice powerful but reserved. And best of all, he’s put everything into it—that comes through in spades. This is a fantastic debut record. The kind that grabs your attention and promises a bright future.

A Whisper, A Shout has a steadiness to it. A heart-on-the-sleeve feel. Even as a first time listener, it sounds familiar and down-to-earth. These are things that endear musicians to Chicago.

OK, the association game: I hear Band of Horses (Minor Moon’s harmonies are strong). A little Widespread Panic (maybe it’s the vocals). And a smattering of music I’ve heard in bars in North Carolina (I consider that a very good compliment).

Appropriately titled, the album winds its way through quiet, tense meditation to find something stirring—sometimes a shrieking guitar, or rousing vocals—oftentimes in the same song. Sound uneven? Perhaps, at times. That being said, I imagine it plays out beautifully live. And you’ll have your chance on April 7, at Elbo Room. So check it out.

Listen to one of our favorite songs below, and hear more on the Minor Moon website.
A couple other favorite tracks are Futon, and Catch and Release Pt. 1.

Welcome to Chicago, boys!

The Gnar Wave Rangers Bringing it to The Abbey Pub

Looking for a band to see in Chicago this weekend? The Gnar Wave Rangers will play Abbey Pub this Saturday. And you should gather up a couple friends with open minds and a thirsty disposition, and go see them.

Admittedly, we know very little of The Gnar Wave Rangers aside from two facts: “Gnar” means “Get Nasty and Rich”; and judging by the lineup, these guys are happy to poke fun of themselves and you, too.

Johnny Swoon-VØX
Spicey Mang-BA$$
Butterscotch Bill-DRUM$
Gnat Riddler-GU!TAR

The sound is a melting pot of punk, low-fi rock, and funk. Allow me to use a few tracks from their new release, #GetNastyAndRich, as examples.

Crazy 4 Ur Luv reminds me of the delightful and melodic wackiness of Frank Zappa.
Moon Snake is an all-out scream fest.
Freddy Free Me evokes the sounds of your favorite Brit punk.
There is a Light channels The Editors and Psychedelic Furs.

And that’s all within the front half of the new album.

To sum it up, The Gnar Wave Rangers are eclectic, they’re going to f@#% s#!$ up at The Abbey, and you’re going to have fun.

You can listen to #GetNastyAndRich here.

Buy tickets to the show here.

Mumford & Sons’s Ballsy Career Move

One way bands explode on the music scene and sell millions of records is to spearhead an entire genre at the right time. Take Mumford & Sons–they’ve made countryside rocking bluegrass hot, and themselves a big pile of money.

Then the bandwagon gets heavy, slow, and plodding. The idyllic countryside becomes a chic marketing strategy (looking at you, Lumineers) and the music becomes a little less pure, a little more annoying–almost insulting. If not careful, the spearhead becomes dead weight.

So how do you stop from becoming a punchline? If you’re Mumford & Sons, you plunge the spearhead deep into the shriveling heart of the genre itself. You parody yourselves and every quality people will eventually hate you for–the down-home posture; the banjo shredding; the brotherly harmonies; the emotional orgasm of every song. And you do it with a music video featuring some of the most likable actors of your target demographic.

You might think this would be band suicide. And I guess that’s possible. But a preemptive strike such as this forces you to take a side. It places a decision at your feet–whether you will remain a fan of the music (and the band) for what is, not just when it is. It’s a decision that Mumford & Sons knows damn well you’d make anyway, eventually. Only now, it’s on their terms. They just took control of their own fate.

My decision is made. Long live Mumford.

Long Islands, Happenstance, and The Burning of Rome

While walking to a show at Lincoln Hall, we come across a chalkboard sign outside Lilly’s, on Lincoln Avenue. “$5 Long Island Ice Teas”, it reads. Inside there’s a band playing loudly. And no cover charge. The perfect detour.

So there we are—four guys who instantly (and significantly) elevate the median age of said establishment, sipping Long Islands and taking in a new band before our planned show.

AguilarThe Burning of Rome, from San Diego, is playing in front of no more than 20 people in the bar (it was an impromptu gig, as they were returning from Summerfest) and all of them are transfixed—us included—along with front man Adam Traub’s girlfriend’s mother, who is gleefully boarding the band for the night. “They’re such nice guys!” she tells me.

Without that tidbit, “nice guys” is about the last thing you would say in a game of word association with The Burning of Rome. With an album titled Death-pop (which includes the song Norman Bates) “frightening” might be more fitting. I imagine any self-respecting right-winger would call them “threatening.” They are gloomy and aggressive. Keyboards are pounded. Guitars are shredded properly—upright, on top of amps, in the crowd, on the ground, and on the sides of walls (pictured), thanks to the extremely entertaining Joe Aguilar.

I hear flecks of Black Sabbath (and Black Flag), early Soundgarden, and Bowie, along with a slurry of Devo, The Gorillaz, and the circus… not a band, but the actual circus. Above all, this is a talented group that plays with explosive passion. Unbridled, but not out of control. Definitely all-out entertaining. Passersby kept poking their heads in the door, and I kept willing them in—wondering how in the world you could hear such a thing and not stop in for a few minutes. And that’s not the Long Islands talking.

We chatted with the band after the show. So while I could see their music becoming a target of the next ill-advised crusade to protect the youth of America, they really are nice guys, and a lady. Honest.

Take a few spins, below.
By the way, the intended show was Rogue Wave. My review of that: “meh.”

Chicago Bands at Lollapalooza, 2013

by Brynn J. Alexander

Although Lollapalooza has brought musicians and fans from all over the world to Grant Park since 2005, a surprisingly small number of those musicians actually hail from Chicago. Now that this year’s lineup for the festival has been announced, it turns out there are six acts from Chicago, and with a range of genres from hip-hop to indie to experimental rock, there’s something here for everyone.

Need Lollapalooza tickets?

Wild Belle is brother-and-sister due Elliot and Natalie Bergman. They grew up in Chicago, and will be playing songs from their debut album, Isles, at Lollapalooza this year. Their music is a mixture of indie rock with touches of ska and even jazz.

 

Barely out of high school after graduating early, The Orwells are set to explode this year, already getting attention from MTV and Pitchfork. With several EPs and a full-length album already released, they have plenty of material to entertain audiences this summer.

 

Chance the Rapper will certainly be one of the crowd favorites this year, as the young artist is making waves through the hip-hop world after being laughed at by his teachers and told that his music would never amount to anything. Chance has already toured with noted acts such as Childish Gambino, and has released several singles to national acclaim.

 

Fans of concept rock will want to catch Makeshift Prodigy when they play Lollapalooza this year. The Chicago-based band specializes in intense, story-driven songs, with a strong emphasis on the visual aspects of their performance.

 

Relative veterans Smith Westerns are back this festival season with a third album on the way, and will be rocking crowds this summer at Lolla with their special mixture of Brit-influenced glam rock. Their shows are always high-energy, and local fans will be glad to see them where they belong, on a big stage.

 

Last but certainly not least, Supreme Cuts will take the stage with their own flavor of hip-hop-influenced EDM and experimental electronica. Describing their sound as “apocalyptic cloud rap,” this duo will appeal to a wide array of electronic music fans, whether you’re into hip-hop or not.